Huli jing rule 3412/2/2023 In many cultures, the nine-tailed fox represents a balance between good and evil, embodying both malevolent and benevolent traits. Over time, the nine-tailed fox became a prominent figure in East Asian mythology, appearing in folklore, literature, and art throughout China, Japan, and Korea. In these texts, the nine-tailed fox is often portrayed as a malevolent creature that preys on humans. The earliest known references to the nine-tailed fox can be found in ancient Chinese texts such as the Shan Hai Jing and the Classic of Mountains and Seas. The origin of the nine-tailed fox is shrouded in mystery, but it is believed to have originated in China. It can supposedly change its appearance to that of a beautiful woman in order to lure unsuspecting men to their deaths. The kumiho, or nine-tailed fox, appears frequently in Korean mythology and is typically portrayed as a sinister creature with a white or black coat and glowing red eyes. It has red eyes and either orange or white fur, and is sometimes depicted with a red torii gate around its neck to signify its supernatural abilities. The kitsune (nine-tailed fox) is a mythical creature from Japanese folklore who can change form at will and is commonly depicted as a mischievous trickster. Many stories have it morphing between human and animal forms. The nine-tailed fox is a mythical creature from Chinese folklore that is often depicted as a sultry and sinister figure, complete with ostentatious accessories. The nine-tailed fox has fiery red or orange fur and iridescent eyes that change color with its emotions. The nine-tailed fox, in most depictions, is a fox-like creature with multiple tails. But there are some constants in East Asian mythology that are linked to the nine-tailed fox. (To Yan before her death) "Yan! Do not speak to that human, you know how dangerous they are.The nine-tailed fox is depicted differently in different cultures and time periods. She seems to be able to turn in another half form state (reached just before Renshu killed her), where her traits are more similar to those of a normal human being, but with the presence of fox ears and a long tail. She is completely naked, as her clothes disappear as she transforms (likely they are the result of a mere illusion she uses). In her half form state, she is a hybrid of a human and a fox, and as a result her aspect is more animalistic and wild. Her hair and eyes are dark, while she wears a traditional chinese dress. In her human form she resembles the aspect of an elegant middle-aged woman. Tsiao Jung is a beautiful huli jing who has the ability to turn into a fox. Renshu, after asking if there were any other huli jings, collects Tsiao Jung's severed head as a bounty. While warning Yan to stay away from Liang, she is brutally beheaded in front of her daughter, who manages to escape. Severely injured, she escapes to the place where she lives with her daughter Yan, but she is eventually reached by Liang and his father. Blocked in a half form, she escapes by jumping roof-to-roof through Hong Kong. After a brief fight she tries to turn into a fox and runs away, but her transformation is blocked as Liang's father throws a jar of urine at her. As she gets closer, Renshu attacks her with his sword. She appears while she is reaching a man who invokes her. Tsiao Jung is the huli jing that Liang's father, Renshu, is hunting.
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